Product Description
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The world s oldest desert, the Namib...A solitary railway
line...A royal family on a royal journey...From the sky, like
lightning... a FLASH! The centuries old Royal Crown is stolen!
BACK IN ACTION... DHOOM:2 reinvents the action comedy genre and
propels it into the 21st century.
Ali s (Uday Chopra) dream of becoming a officer has come
true. He is now ACP Jai Dixit s (Abhishek Bachchan) right hand
man . Together, they are trying to keep a tight leash on the
crime in India. Little do they know what they are going to be up
against.
Enter Aryan - Mr. A (Hrithik Roshan) - A hi-tech international
thief. After pulling off a series of impossible heists all over
the world, his next target is Mumbai, India. The case is given to
ACP Jai and Ali. Helping them put the pieces of the puzzle
together is ACP Shonali Bose (Bipasha Basu), Jai s college mate,
now a officer in her own right. For the last two years
Shonali has been tracking these amazing thefts and is now an
expert on this thief, who no one has seen.
Once in Mumbai, Mr. A finds his match in Sunehri (Aishwarya Rai),
a petty yet clever thief. She makes him an offer he finds very
hard to refuse. A partnership! Aryan accepts. And so the game
begins a game of cat and mouse a game of good v/s bad. The COPS -
Jai, Shonali and Ali; and they are after Aryan and Sunehri The
ROBBERS .From the desert of Namibia to the backwaters of Goa, the
mean streets of Mumbai and the ancient forts of Rajasthan, and
finally to Wild n Exotic Rio, Brazil.Does ACP Jai Dixit manage to
nab Mr. A? Or does Mr. A prove to be too much for him?
Never-Seen-Before Action Sequences, Hi-Tech Heists, Breathtaking
Hi-Speed Chases, Non-Stop Laughter and Excitement will lead you
to the answer to these questions.
Go On...! Enjoy the RIDE...!! ONCE AGAIN...!!!
Review
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"Once in Mumbai, Mr. A finds his match in Sunehri [Aishwarya
Rai], a petty yet clever thief. She makes him an offer he finds
very hard to refuse. A partnership! Aryan accepts. And so the
game begins, a game of cat and mouse, a game of good v/s bad. The
cops -- Jai, Shonali and Ali -- are after the robbers -- Aryan
and Sunehri. From the deserts of Namibia to the backwaters of
Goa, the mean streets of Mumbai and the ancient forts of
Rajasthan and finally to Rio, Brazil. DHOOM 2 is modeled on the
lines of the chor- sa that Hindi films specialized in
the 1970s and 1980s. In essence, it's not a
path-breaking/inventive story, but what takes the film to dizzy
heights is the sequence of events that unravel at a feverish
pace. Right from the start of the film [Hrithik's first heist in
Namibia; the robbing of a crown from a moving train] to his next
target [robbing a precious diamond from a museum in Mumbai] to
the theft in Jamnagar [Hrithik and Ash come face to face for the
first time], the film whets your appetite from the word 'Go'. In
the first hour focuses on the cat-n-mouse game, the second hour
changes tracks as it transforms into a love story. While the
scenes between Uday and Bipasha [in a dual role] are cute, the
ones between Hrithik and Ash build up slowly. The pace drops
intermittently in this hour since the thrills are reserved for
the penultimate reel, but a number of worthy sequences in this
half conceal this tiny blemish. Note the turning point in the
tale -- the revolver sequence between Hrithik and Ash and the
lip-to-lip kiss that ensues; it's an outstanding sequence from
the writing, execution and performance point of view. The
pre-climax -- the robbery of man-made gold coins -- as also the
climax chase are breath-taking as well. DHOOM 2 is director
Sanjay Gadhvi's finest effort so far. The execution of the
subject is such, you just can't help get transported to a world
of make-believe. Gadhvi has handled a number of sequences with
omb. The Hrithik-Ash sequence mentioned above is one of them.
The dialogue between Hrithik and Abhishek -- after they've known
each other's true identities -- is another. The final scene of
the enterprise [it would be unfair to reveal it here!] is yet
another sequence that indicates that the director has done his
homework well. Pritam's music is fair. Barring the 'Krazy Kiya
Re' track and the title track [filmed on Hrithik], the score is
outright mediocre. However, the saving grace is the vibrant and
energetic picturization, which takes the songs to another level.
The choreography of the title track by Shiamak Davar is
outstanding. Vaibhavi Merchant's choreography of 'Krazy Kiya Re'
is admirable as well. Salim-Sulan's background score is highly
effective." --platform47.com